Intangible Cultural Heritage of India

• Intangible Cultural Heritage of india means the practices, representations, expressions, knowledge and skills that communities, groups and individuals recognize as a part of their cultural heritage.
• It also includes instruments, objects, artefacts and cultural spaces associated with such heritage.
• The term ‘cultural heritage’ has changed content considerably in recent decades, partially owing to the instruments developed by UNESCO. Cultural heritage does not end at monuments and collections of objects.
• It also includes traditions or living expressions inherited from our ancestors and passed on to our descendants, such as oral traditions, performing arts, social practices, rituals, festive events, knowledge and practices concerning nature and the universe or the knowledge and skills to produce traditional crafts.

Purposes of the Convention

• UNESCO (United Nations Educational, Scientific and Cultural Organization) is an agency of the United Nations. It is dedicated to promoting peace, development, and the exchange of ideas and knowledge among countries. The recognition and protection of cultural heritage is one of its major initiatives. 
• In 2003, UNESCO adopted the Convention for the Safeguarding of Intangible Cultural Heritage. This defined intangible cultural heritage as:

 The aim of this convention is:

• to promote awareness and respect for intangible cultural heritage and 
• to encourage international cooperation for its safeguarding and transmission. 

Since then, UNESCO has been working with world countries to identify and safeguard their intangible cultural heritage.

List of Intangible Cultural Heritage of India:

Kutiyattam (Kerala):

• It is one of India’s oldest living theatrical traditions.
• It represents a synthesis of Sanskrit classicism and reflects the local traditions of Kerala.
• In its stylized and codified theatrical language, neta abhinaya (eye expression) and hasta abhinaya (the language of gestures) are prominent. They focus on the thoughts and feelings of the main character.
• A single act may take days to perform and a complete performance may last up to 40 days.
• It is traditionally performed in theaters called Kuttampalams, which are located in Hindu temples.

Tradition of Vedic Chanting ( India):

• The Vedas comprise a vast corpus of Sanskrit poetry, philosophical dialogue, myth, and ritual incantations developed and composed over 3500 years ago.
• The Vedas embody one of the world’s oldest surviving cultural traditions.
• The Vedic heritage embraces a multitude of texts and interpretations collected in four Vedas, commonly referred to as “Books of Knowledge” even though they have been transmitted orally.
• The value of this tradition lies not only in the rich content of its oral literature but also in the ingenious techniques employed by the Brahmin priests in preserving the texts intact over thousands of years.
• Although the Vedas continue to play an important role in contemporary Indian life, only thirteen of the over one thousand Vedic recitation branches have survived.

Ramlila (North India):

• Ramlila, literally “Rama‟s play”, is a performance of Ramayana epic in a series of scenes that include song, narration, recital and dialogue.
• It recalls the battle between Rama and Ravana and consists of a series of dialogues between gods, sages and the faithful.
• It is performed across northern India during the festival of Dussehra.
• The most representative Ramlilas are those of Ayodhya, Ramnagar and Benares, Vrindavan, Almora, Sattna and Madhubani.
• This staging of the Ramayana is based on the Ramcharitmanas which was composed by Tulsidas in the 16th century AD.

Ramman (Uttarakhand):

• It is celebrated in the twin villages of Saloor-Dungra in Uttarakhand every year in late April.
• It is a religious festival in honor of the tutelary god, Bhumiyal Devta.
• This event is made up of highly complex rituals. It includes the recitation of a version of the epic of Rama and various legends, and the performance of songs and masked dances.
• Bhandaris, representing locals of the Kshatriya caste, are alone entitled to wear one of the most sacred masks, that of the half-man, half-lion Hindu deity, Narasimha.

Chhau Dance (Eastern India):

• Chhau dance enacts episodes from epics including the Mahabharata and Ramayana, local folklore and abstract themes.
• Its three distinct styles hail from the regions of Seraikella (Jharkhand), Purulia (West Bengal) and Mayurbhanj (Odisha), the first two using masks.
• Its origin is traceable to indigenous forms of dance and martial practices.
• Its movement includes mock combat techniques, stylized gaits of birds and animals and movements modeled on the chores of village housewives.
• The dance is performed at night in an open space to traditional and folk melodies, played on the reed pipes mohuri and shehnai.

Kalbelia Folk Songs and Dances (Rajasthan):

• Songs and dances are an expression of the Kalbelia community’s traditional way of life.
• Kalbelia were once professional snake handlers. Today, they evoke their former occupation in music and dance that is evolving in new and creative ways.
• Women in flowing black skirts dance and swirl, replicating the movements of a serpent, while men accompany them on the khanjari percussion instrument and the poongi, a woodwind instrument traditionally played to capture snakes.
• The dancers wear traditional tattoo designs, jewellery and garments richly embroidered with small mirrors and silver thread.
• The songs also demonstrate the poetic acumen of the Kalbelia, who are reputed to compose lyrics spontaneously and improvise songs during performances.
• Transmitted from generation to generation, the songs and dances form part of an oral tradition for which no texts or training manuals exist.

Mudiyettu (Kerala):

• Mudiyettu is a ritual dance drama from Kerala based on the mythological tale of a battle between the goddess Kali and the demon Darika.
• Mudiyettu performers draw a huge image of goddess Kali, called as kalam, on the temple floor with coloured powders, wherein the spirit of the goddess is invoked.
• Performers enact the play in which the divine sage Narada importunes Shiva to contain the demon Darika, who is immune to defeat by mortals.
• Shiva instead commands that Darika will die at the hand of the goddess Kali.
• Mudiyettu is performed annually in ‘Bhagavati Kavus’, the temples of the goddess, in different villages along the rivers Chalakkudy Puzha, Periyar and Moovattupuzha.

Buddhist Chanting (Ladakh):

• In the monasteries and villages of the Ladakh region, Buddhist lamas (priests) chant sacred texts representing the spirit, philosophy and teachings of the Buddha.
• Two forms of Buddhism are practiced in Ladakh namely Mahayana and Vajrayana and there are four major sects, namely Nyngma, Kagyud, Shakya and Geluk.
• Each sect has several forms of chanting, practiced during life-cycle rituals and on important days in the Buddhist and agrarian calendars.
• The monks wear special costumes and make hand gestures (mudras) representing the divine Buddha, and instruments such as bells, drums, cymbals and trumpets lend musicality and rhythm to the chanting.
• The chanting is performed in groups, either sitting indoors or accompanied by dance in monastery courtyards or private houses.

Sankirtana (Manipur):

• Sankirtana encompasses ritual singing, drumming and dancing performed to mark religious occasions and various stages in the life of the Vaishnava people of the Manipur plains.
• Performers narrate the lives and deeds of Krishna through song and dance.
• In a typical performance, two drummers and about ten singer-dancers perform in a hall or domestic courtyard encircled by seated devotees.
• Sankirtana has two main social functions:
• It brings people together on festive occasions acting as a cohesive force within Manipur’s Vaishnava community.
• It establishes and reinforces relationships between the individual and the community through life-cycle ceremonies.

Traditional Brass and Copper Craft of Utensil Making (Punjab):

• The craft of the Thatheras of Jandiala Guru constitutes the traditional technique of manufacturing brass and copper utensils in Punjab.
• The process starts by obtaining cooled metal cakes, which are flattened into thin plates. These plates are then hammered into curved shapes to form small bowls, rimmed plates, larger pots for water and milk, huge cooking vessels, and other artifacts.
• Heating the plates while hammering and curving them into different shapes requires careful temperature control, which is achieved by using tiny wood-fired stoves (aided by hand-held bellows) buried in the earth.
• Utensils are manually finished by polishing with traditional materials such as sand and tamarind juice.

Navroz (India):

• Navroz is the new year celebrations for Parsis (Zoroastrians) and Muslims (both Shia and Sunni).
• It is celebrated on 21st March every year in Afghanistan, Azerbaijan, India, Iran, Iraq, Kazakhstan, Kyrgyzstan, Pakistan, Tajikistan, Turkey, Turkmenistan and Uzbekistan.
• An important tradition practiced during this time is the gathering around ‘the Table’, decorated with objects that symbolize purity, brightness, livelihood and wealth, to enjoy a special meal with loved ones.

Yoga (India):

• Yoga consists of a series of poses, meditation, controlled breathing, word chanting and other techniques designed to help individuals build self-realization, ease any suffering and allow for a state of liberation.
• It is based on unifying the mind with the body and soul to allow for greater mental, spiritual and physical wellbeing.
• Traditionally, yoga was transmitted using the Guru-Shishya model (master-pupil) with yoga gurus as the main custodians of associated knowledge and skills.

Kumbh Mela (North India):

• Kumbh Mela (the festival of the sacred pitcher) is the largest peaceful congregation of pilgrims on earth, during which participants bathe or take a dip in a sacred river.
• The festival is held at Allahabad, Haridwar, Ujjain and Nasik every four years by rotation and is attended by millions of people irrespective of caste, creed or gender.
• Devotees believe that by bathing in the Ganges one is freed from sins liberating her/him from the cycle of birth and death.
• Its primary bearers, however, belong to akhadas and ashrams, religious organizations, or are individuals living on alms.

Durga Puja (Kolkata):

• Durga Puja is an annual festival that marks the ten-day worship of the Hindu mother goddess Durga.
• The worship of the goddess then begins on the inaugural day of Mahalaya, when eyes are painted onto the clay images to bring the goddess to life.
• It ends on the tenth day, when the images are immersed in the river from where the clay came.
• Durga Puja is commended for its initiatives to involve marginalized groups and individuals as well as women in their participation in safeguarding the element.

Garba (Gujarat):

• Garba is a ritualistic and devotional dance that is performed on the occasion of the Hindu festival of Navratri, which is dedicated to the worship of the feminine energy or ‘Shakti’.
• The dance takes place around a perforated earthenware pot lit with an oil lamp, or an image of the mother goddess Amba.
• The dancers move around the center in a counter-clockwise circle, using simple movements while singing and clapping their hands in unison. Starting with slow circular movements, the tempo slowly builds up to a frenzied whirling.

Related links: